What we missed apart from traveling with many other things in 2020 is plays. As patrons of art our weekends are set with attending plays, music shows, comedy shows or any cultural programs. We're happy to lead a semi-retirement life, seeing and doing the things we love the most. However, the pandemic had different plans for the year 2020 forcing us to cancel all the extracurricular activities to stay-at-home. Before the lock-down we have watched three plays, one among it is magnanimous.
Malegalalli Madumagalu, a nine hour epic theatre performance based on the novel of same name by Kuvempu. Play was set in four different stages in Jnanabharathi campus. The format is said to be one of its kind in the entire nation. The open theater was full house. We were smug and hoity before entering the venue thinking it would be vacant. Contrary to this the open theater was full house. In fact, people came well-prepared with blankets, pillows, food, and refreshments. This was 110th show of the production directed by C Basavalingaiah. Words fall short to narrate this wonderful experience.
Naama Namaha, a comedy drama by the theater group Kalasmrithi takes sly dig at the customs and traditions. Four young priests work in a temple. They are the prime suspects in a crime investigation when the precious crown jewel of temple deity is stolen. It was light-hearted, fun, and thought provoking. It is not advisable for religiously sensitive people.
Same goes for Poulastyana Pranaya Kathe. Epic Ramayana narrated from the point of view of Ravana. Based on the novel of same name by Latha Vamshi, this play was brought onto the stage by Sandhya Kalavidaru. Written and directed by the lead Krishna Sharma, this piece is a pure delight of 3 hours journey through mythological era.
Hope to see more theater in 2021
